論蒙德里安的「新造形主義」創作思惟及其表現技法

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Title:	論蒙德里安的「新造形主義」創作思惟及其表現技法 On the Mondrian's "Neo-plasticisme" thinking and creative techniques
Authors:	侯美玉
Contributors:	美術學系
Keywords:	蒙德里安喀爾文派立體派風格派畢卡索布拉克 Mondrian Calvinism Cubism de stijl Pablo Ruiz Picasso Braque Georges
Date:	2016-06
Issue Date:	2016-08-16 13:15:56 (UTC+8)
Abstract:	皮特•科爾奈利斯•蒙德里安（Piet Cornelis Mondriaan），1872年3月7日，出生於荷蘭烏特勒支（Utrecht）附近的阿麥斯褔特（Amersfoort），生長在一個古老的喀爾文派（Calvinism）傳教士家庭裡。1912年蒙德里安改姓為Mondrian，在愛好繪畫的父親和職業畫家叔父的鼓勵下，蒙德里安很早便開始畫畫了。　　直到1910年為止，他的繪畫作品都僅限於風景題材的描繪。他經歷了一段，畫得很多卻賣得很少的創作困難時期，僅靠博物館臨摩和繪製科技掛圖過活。1911年，他見識了畢卡索（Pablo Ruiz Picasso, 1881-1973）和布拉克（Braque Georges, 1882-1963）等立體派大師們的作品，感受到極大的震撼。立體派（Cubism）所講究的立體事實和明確客觀都是他追求的目標。隨後，蒙德里安前往巴黎研究立體派的繪畫風格，在受到立體派的影響之下，他畫出了作為本世紀繪畫中，對確定主題進行不斷抽象化，名為《樹》（Tree）的唯一組畫。而這也讓蒙德里安的作品，被視為抽象藝術經典畫作。　　本論文的主軸在於研究蒙德里安從藝術與生活點滴中所擷取的多種造型元素，尤其在1912-1930年間，發展出其獨特的抽象構圖和多元主義（pluralism），透過繪畫與章節論述，可清晰地看出如何在畫作中，結合都會文化與抽象形式及新造型主義（Neo-Plasticism）的三原色（RGB color model）繪畫創作技法及新造型主義藝術；緊接著是蒙德里安各個時期的繪畫風格；最後是探討風格派（De Stijl）建築思想對現代建築設計的長久影響及蒙德里終其一生的繪畫成就。 Piet Cornelis Mondriaan, March 7, 1872, was born in the Netherlands, near Utrecht Amersfoort, grew up in a missionary family in the old Calvinism. 1912 Mondrian surname as Mondrian, in the loving father and professional painter painting uncle's encouragement, a Mondrian painting began early. 　　Up until 1910, his paintings are limited to depicting the landscape theme. He experienced a painting was a lot but rarely creative selling difficult times, alone and draw Technology Museum Mount Pro flipchart living. In 1911, he saw the Pablo Ruiz Picasso, 1881-1973 and Braque Georges, 1882-1963, etc. Cubist works of masters, felt a great shock. Cubism and the attention to the fact that a clear objective perspective is his goal. Subsequently, Mondrian to Paris study Cubist painting style, under the influenced Cubism, he painted as this century paintings, for determining constant theme abstraction called the "tree" the only group picture . And it also allows Mondrian's works, is considered a classic of abstract art paintings. 　　This thesis is to study a variety of spindle Mondrian styling elements from art and life with those captured, especially in the 1912-1930 years, the development of its unique abstract composition and pluralism, through painting and discussion sections, can clearly see out how the paintings, will combine culture and abstract forms and Neo-Plasticism the RGB color model painting techniques and new art form of Marxism; followed by a Mondrian painting style of each period; and finally explore the idea of modern architecture De Stijl long-term impact of the final architectural design and Mondrian painting achievements of his life.
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