錢兆熹笛樂作品研究－以《旋舞女》、《龍吟水》、《梅花引》、《雙聲恨》為例

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Title:	錢兆熹笛樂作品研究－以《旋舞女》、《龍吟水》、《梅花引》、《雙聲恨》為例
Authors:	黃毓軒
Contributors:	音樂學系
Keywords:	錢兆熹 Qian Zhao-Xi 《旋舞女》 “The Pirouetting Danseuse” 《龍吟水》 “The Dragon’s Resonance” 《梅花引》 “Plum Blossom Prelude”
Date:	2011
Issue Date:	2012-10-30 10:33:43 (UTC+8)
Abstract:	錢兆熹是一位相當具有影響力的作曲家，其作品種類不勝枚舉，舉凡民族交響樂、民族器樂、民族交響合唱等，在其眾多音樂作品中只有《旋舞女》、《龍吟水》、《梅花引》及《雙聲恨》等四首以竹笛為主的樂曲，因此筆者將其列為本文探討之主軸。本文蒐集關於錢兆熹的成長環境、學習背景與作曲風格特色等相關文本資料，藉此瞭解作曲家的創作思維，並對其所編創之四首笛樂作品進行樂曲創作素材及分析與詮釋等多重面向的研究，冀望經此研究後，對於詮釋樂曲能更貼近作曲家的創作理念，也提供爾後欲演奏上述作品之習笛者一份實質的參考資料。 Qian Zhao-Xi, an influential Chinese composer, has lots of works in rich variety, including pieces for Chinese orchestra, for Chinese instruments and for national symphonic chorus. Among them, only “The Pirouetting Danseuse”, “The Dragon’s Resonance”, “Plum Blossom Prelude” and “Bitterly Hate” are specifically composed for the Bamboo flute, and that encourages the author to do further research on the four. The study mainly consists of three parts. The first section is to collect and analyze data about Qian, including biography, musical background and composing style, to probe into his composing thought. In the second part, it is focus on the musical analyses, such as structures, elements and composing motives. Then, based on the former research, the author expresses and concludes ideas of interpretation in the last part. The study is expected to help get closer to Qian Zhao-Xi’s composing thought when doing performance and become a useful reference for the future performers.
Appears in Collections:	[Department of Music ] Thesis

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