探討大提琴之演奏詮釋－以貝多芬魔笛變奏曲與蕭邦大提琴奏鳴曲為例

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Title:	探討大提琴之演奏詮釋－以貝多芬魔笛變奏曲與蕭邦大提琴奏鳴曲為例
Authors:	余孟珊
Contributors:	音樂學系
Keywords:	貝多芬變奏曲蕭邦大提琴奏鳴曲
Date:	2010
Issue Date:	2011-10-27 14:50:45 (UTC+8)
Abstract:	本論文主要是以貝多芬《降E大調大提琴變奏曲WoO46》與蕭邦《g小調大提琴奏鳴曲，作品65》作為研究主題。貝多芬的大提琴作品是大提琴演奏者必學之經典，因此早期弦樂的作品也是值得被探討研究，而《g小調大提琴奏鳴曲，作品65》亦為蕭邦最具代表性之室內樂作品之一，由於此兩首作品分別於不同時期，因此筆者將探討作品之背景、曲式、和聲以及演奏詮釋，以期許在詮釋上能符合作曲家原創意念，同時亦能夠展現個人的演奏風格。 In this paper, my research topic is based on Beethoven's Variations for cello and piano in E flat major WoO 46 and Chopin's cello sonata in g minor op. 65. The cello works of Beethoven are the most classic for cello players, so the works of stringed music in the earlier is worth to be discussed. Chopin's cello sonata in g minor op. 65 is one of the most representative chamber music by himself since these two works are at different stages, so we will discuss the backgrounds, musical forms, harmony and performance interpretation of two works that meet the composer’s original ideas and show the personal playing style contemporary.
Appears in Collections:	[Department of Music ] Thesis

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